Showing posts with label father and son relationships. Show all posts
Showing posts with label father and son relationships. Show all posts

Friday, February 2, 2018

The Monster of His Childhood

The reading I picked this week is an excerpt from Rick Bragg's book "All Over But the Shoutin'."  I've been trying to avoid reading or watching depressing stuff for a while now, really ever since my mom died, but the title seemed to jump out at me, so I went with it.  It was sad.  There's something awful about true stories that center on a terrible parent.  Bragg's father is dying, and he's just the same to his son as he ever was.  Bragg wants to resolve all the hurts from his childhood, but, as he's trying to come up with a way to do that, he gradually realizes that it's not going to happen.  
When my mom was dying, she was in hospice care at home.  We were all taking care of her, which was beautiful (I know that sounds strange, but it was beautiful in a lot of ways, mainly because she was a very good parent, definitely NOT the monster of our childhoods, and we felt as though we were doing something almost . . . holy with her--I can't think of a better way to put it) and horrible at the same time.  After three or four days, she stopped talking because of the pain meds, but she was still pretty alert and reacted to what we said to her.  I think we all managed to say everything we needed to say before she reached the point where she couldn't take it in.  But, like Rick Bragg, I have issues that I know I will never get rid of unless I let it go, and again like him, I'm reluctant to let go, but in my case, it's because what I'd be letting go is valuable to me but so complicated and messed up that it would kind of be like trying to cut it out of myself.  If that makes any sense. 
Maybe you can see why I've been avoiding these stories. 

Friday, October 27, 2017

I Wrote This!

Sorry, Groot.  Your scene was too short.
Yeah, I'm almost finished revising my film analysis, and I didn't post on any of the prompts that would explain what I did in prewriting and drafting and why I did it and what problems I had.  Now it seems pointless to go back and respond to the prompts, so I'm going to summarize it all.
As I mentioned before, I was interested in father-son relationships in Guardians of the Galaxy Vol. 2.  That meant that my critical approach was men's studies, but the page on that in the packet we were given didn't really get into this kind of a relationship.  I talked to the prof, and she said to look at the first thing on the sheet, which was "What does this film say a man can or should be?"  Armed with that, I watched the scene I had chosen to ask that question.  
I immediately realized that I needed a new scene.
to be continued