What's in a Title?

Old bottles of wine aging by candle light
 (Photo credit: Wikipedia)

The mouse is dead!  A good thing, too, because I was starting to think that Rebbie needed her eyes (or maybe her mind) examined.  Anyway, I'm still revising my research paper, and I finally came up with a title that I like.  Dr. Toffee wants us to try to use what she calls a "double-barrelled" title, which just means a title with a subtitle, divided by a colon.  And, I guess she's right, because all of the articles I've looked at for my project have that kind of title. 

I was home for dinner last night, for once, and the 'rents were asking me about how my classes were going.  I never know how to answer that in a way that won't have them giving me advice or a lecture (you know what I mean!).  I didn't even mention geology, because that would have brought on the lecture for sure, but I talked about my PJ1 paper to distract them, since that seems to be going okay.  When I explained what it was about, they were both interested, and we talked about neo-mythology until we were done eating.  One of the things my dad said gave me an idea.  He said, "so, it's like new wine in old bottles, isn't it?"  I'd never heard that expression before, but in a way, he's right.  The filmmakers aren't using their old bottles (existing mythology/folklore) to trick the audience, but it is kind of a selling point just the same. 

And, that's why I've decided to call my paper "New Wine in Old Bottles:  Neo-Mythology and Percy Jackson and the Olympians: The Lightning Thief."  I like it.    

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The Last Neo-Mythology Characteristics

English: This image outlines the basic path of the monomyth, or "Hero's Journey". (Photo credit: Wikipedia)

I've been so busy (and grossed out over the mouse, which is still missing) that I almost forgot to finish my model explanation.  So, the third characteristic is that the story using existing mythology is new:  new plot, new hero(es).  This is sort of self-explanatory, isn't it?  Some films that fit into this category have more new aspects than others, but I'm not going to rule any out on this basis. 
The fourth requirement is that the setting must be at least partly in the current reality.  Percy Jackson and the Olympians: The Lightning Thief  has Mt. Olympus at the top of the Empire State Building and the entrance to Hades via the Hollywood sign, both of which are instantly recognizable to most people on the planet, I would guess.  Of course, this definitely rules out Tolkein, but I think that's very reasonable.  Yes, it's a new (20th century) mythology, but as for genre, it's traditional fantasy.
And lastly, number 5 is that it must be a quest.  I'd almost have to say that this would rule out the Twilight movies, since I can't see anything like a hero's journey (I can't even see a hero!) in them, but I don't want to argue about it, so if anybody wants to take it on, they're getting a free pass from me.
And that's that.  

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And Then There's the Gladiator Genre

Gladiator fights at "Brot und Spiele", Germany's biggest Roman festival (Photo credit: Wikipedia)

Everytime I think I'm starting to get a handle on things, I come across a new source that forces me to rethink everything I thought I had resolved.  This time, it's my mom.  I was talking to her yesterday about how much work this is turning out to be, and she wanted to know all about it.  When I told her about my neo-mythology idea, she said, "you mean like gladiator movies?"  Aargh!  So, I had to ask what that meant, and I'll just summarize her explanation.

Gladiator movies, according to Mom, were all over the place in the '50s and '60s, especially at drive-ins and on late-night television.  The hero was obviously a bodybuilder and was usually dressed in a way that exposed his chest and most of his legs.  He always won his fights through his superior strength, and you could never remember the storyline afterwards.

This sounds to me like what they call pepla, and I'll have more to say about that next time.

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A Whole Bunch o' Heroes

Cover of Jason and the Argonauts

When I was reading the first page in the assignment packet about our research options, I got an idea from the very short explanation of myth criticism:  "Films and other works of art draw on patterns established in cultural myths."  I read down to the list of films we can use, and the one I was thinking of (The Fellowship of the Ring) was there.  My idea was that one of the myth patterns in this film is (and this is really hard to state clearly, so bear with me) a group of heroes goes on a quest together.  This came to me because when I read the statement about myth crit, I immediately thought of a few myths, one of which was the story of Jason and the Argonauts (I saw a movie of that when I was little, and it stuck with me because the army of skeletons gave me nightmares for a long time).  I also remember an episode of Hercules (the tv show), where he went to see Jason and the rest of the Argonauts.   

I want to talk to the prof about this some, just in case I'm totally on the wrong track, so I guess I'm getting up early tomorrow to make it to her office hours.

Myth Crit-- I Think I Get It

Hero's Journey (Photo credit: Wikipedia)

I just read the handout on myth criticism (it's on our Blackboard page now, guys), and so I thought this would be a good time to do my next posting, which is supposed to be me explaining my critical model.  Here goes nothing.

Myth criticism is centered around patterns of elements in stories (or poetry, or any kind of art) that are also found in myths.  After reading through the quest structure, it seems pretty obvious to me that this model makes a lot of sense, in that you really can see the quest turning up everywhere.  And, the quest is the hero's journey, right?  So, it's also easy to see how the hero archetype works.  And right there I'm thinking that I now have enough to go on to another posting, because it looks like my first thoughts about LOTR might work okay for this approach.

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