Showing posts with label neo-mythology. Show all posts
Showing posts with label neo-mythology. Show all posts

Wednesday, December 4, 2013

Is the BBC's Atlantis Neo-Mythology?

Cast of BBCAmerica's Whitechapel

Yes, I thought of something to write about!  And it only took a couple of minutes, thanks to BBCAmerica sending me an email (I signed up when they were showing Whitechapel last year.  I hear that Whitechapel has been cancelled, which, imho is a crime.  It just may be the best thing I've seen on any channel in the last couple of years, and it got me watching other shows on BBCAmerica for the first time) about their new show, Atlantis

The story here is initially set in the present day, but Jason (the hero) gets sucked into ancient Atlantis somehow when he's searching the ocean for his missing father.  If this present-day action can be counted-- it's probably not even five minutes -- then it looks to me like the show meets all of the neo-mythology genre requirements.  The best thing in the show so far is Mark Addy as Hercules.  He sort of reminds me of Oliver Platt playing Paul Bunyan in Tall Tale, a movie I liked a lot as a kid.  Like Platt, Mark Addy is nothing like what most people imagine Hercules would be.  He's not very tall, he's the opposite of buff 'n cut (to put it nicely), and he seems to have a drinking problem. 

Unfortunately, the stories so far aren't as fun as Addy's take on Hercules, but it has some potential for improvement, as my mother would say.  I hope it does improve, especially since it's already been renewed for a second season, which makes me resent the cancellation of Whitechapel even more.

And now I'm really ticked off, because as I was going over the related articles offered by Zemanta, I saw one about how Ripper Street is now cancelled, too.  Waaaaah!  It's a world gone mad. 

Enhanced by Zemanta

Sunday, November 17, 2013

Kinda/sorta off Topic: NBC's Dracula

Bram Stoker's (1847-1912) Notes on the persona...
Bram Stoker's (1847-1912) Notes on the
personal for his novel Dracula.
(Photo credit: Wikipedia)
My sister Rebbie used to be a semi-goth; she has pretty good taste in clothes, so she never went the full route on it, but she did wear a lot of black and brood a lot and so on. Anyway, she was watching the new Dracula series the other night, and I tried to watch it with her, but I just couldn't get into it. I don't understand why they have him pretending to be an American, for one thing. Yes, it looks gorgeous, but I'm just not that interested in it. When it was over, I asked her what she saw in it. She said, "I'm trying to make my mind up about it."
That made me feel better. What I'm thinking now is that it almost fits into the neo-mythology genre, except they aren't really telling a new story, at least not so far. The other thing I'm thinking is that the book Stoker wrote has been adapted in a bunch of different ways, but one thing that all of them (as far as I know, since I haven't seen them all, I'm sure) have in common is that there is never a clear hero (the van Helsing character comes closest, but he's usually advising younger men on how to deal with vampires rather than enacting a monomyth), which is the way the book is, too. So, not neo-mythology, but . . .
The difference with this Dracula is that the show follows him as much as it does the other characters, or even more. Maybe that's my problem with it. In a way, it kind of reminds me of The Count of Monte Cristo (the Jim Caviezel one), where the audience is in on his plans. I guess I don't want to know that much about Dracula himself -- I like following all the clues that the characters miss until van Helsing shows up to set them straight. But I can see where that would be a problem for anyone trying to make a series out of it, since it would have to end sooner rather than later, or turn into a soap opera (and maybe that's the vibe I'm getting from the show) where week after week they try and fail to stop him. I guess we'll see.

Enhanced by Zemanta

Thursday, November 14, 2013

What's in a Title?

Old bottles of wine aging by candle light
Old bottles of wine aging by candle light
 (Photo credit: Wikipedia)
The mouse is dead!  A good thing, too, because I was starting to think that Rebbie needed her eyes (or maybe her mind) examined.  Anyway, I'm still revising my research paper, and I finally came up with a title that I like.  Dr. Toffee wants us to try to use what she calls a "double-barrelled" title, which just means a title with a subtitle, divided by a colon.  And, I guess she's right, because all of the articles I've looked at for my project have that kind of title. 

I was home for dinner last night, for once, and the 'rents were asking me about how my classes were going.  I never know how to answer that in a way that won't have them giving me advice or a lecture (you know what I mean!).  I didn't even mention geology, because that would have brought on the lecture for sure, but I talked about my PJ1 paper to distract them, since that seems to be going okay.  When I explained what it was about, they were both interested, and we talked about neo-mythology until we were done eating.  One of the things my dad said gave me an idea.  He said, "so, it's like new wine in old bottles, isn't it?"  I'd never heard that expression before, but in a way, he's right.  The filmmakers aren't using their old bottles (existing mythology/folklore) to trick the audience, but it is kind of a selling point just the same. 

And, that's why I've decided to call my paper "New Wine in Old Bottles:  Neo-Mythology and Percy Jackson and the Olympians: The Lightning Thief."  I like it.    
Enhanced by Zemanta

Tuesday, November 12, 2013

The Last Neo-Mythology Characteristics

English: This image outlines the basic path of...
English: This image outlines the basic path of the monomyth, or "Hero's Journey". (Photo credit: Wikipedia)

I've been so busy (and grossed out over the mouse, which is still missing) that I almost forgot to finish my model explanation.  So, the third characteristic is that the story using existing mythology is new:  new plot, new hero(es).  This is sort of self-explanatory, isn't it?  Some films that fit into this category have more new aspects than others, but I'm not going to rule any out on this basis. 
The fourth requirement is that the setting must be at least partly in the current reality.  Percy Jackson and the Olympians: The Lightning Thief  has Mt. Olympus at the top of the Empire State Building and the entrance to Hades via the Hollywood sign, both of which are instantly recognizable to most people on the planet, I would guess.  Of course, this definitely rules out Tolkein, but I think that's very reasonable.  Yes, it's a new (20th century) mythology, but as for genre, it's traditional fantasy.
And lastly, number 5 is that it must be a quest.  I'd almost have to say that this would rule out the Twilight movies, since I can't see anything like a hero's journey (I can't even see a hero!) in them, but I don't want to argue about it, so if anybody wants to take it on, they're getting a free pass from me.
And that's that.  
Enhanced by Zemanta

Sunday, October 27, 2013

Two Demigods and a Satyr Walk into Medusa's Lair . . .

Perseus with the head of Medusa, by Antonio Ca...
Perseus with the head of Medusa,
by Antonio Canova, completed 1801
 (Vatican Museums)
(Photo credit: Wikipedia)

Starting with number 1 from the list in my last post, it should be obvious to those who have seen the film or read the book that Percy Jackson and the Olympians: The Lightning Thief  is based on already existing Greek mythology:  he's the son of Poseidon, his real first name is Perseus (the original Perseus's father was Zeus, but that's another myth), and he is destined to be a hero.  The second requirement is also obvious, because as the film goes on Percy encounters all kinds of elements, fighting mythological monsters like the Minotaur, Medusa, and a hydra, meeting Chiron, visiting the land of the lotus eaters, and so on, but these, except for Chiron, whose role in the myths was as the mentor/trainer of demigods, are all serving different functions in this story than they did in the Greek myths.

And that's just for starters.  There's more to come.
Enhanced by Zemanta

At Long Last, NEO-MYTHOLOGY Is Here!

English: Various mythos.
English: Various mythos. (Photo credit: Wikipedia)

I'm taking a break from working on my research paper draft (it's due on Thursday, sigh) because I need one and because I've finally got my critical model in a finished state, or so I hope.  It works not just for Percy Jackson and the Olympians: The Lightning Thief but also for a bunch of other films.  So, here are the defining characteristics of the Neo-Mythology genre:
1.  The film (or book, too, I guess) is based on already existing mythology and/or folklore.
2.  It uses elements (characters, plot points, etc.) from that mythology/folklore for other than their original purposes.
3.  It creates a new story out of that material.
4.  It is set in a hidden reality that secretly co-exists with the known current reality.
5.  It is in the form of a quest.

I'll discuss these in my next post (since I've met the required 100-word length already).
Enhanced by Zemanta

Monday, October 14, 2013

Another "Sword-and-Sandals" is Coming

Gladiator (Hercules: The Legendary Journeys)
Gladiator (Hercules: The Legendary Journeys) (Photo credit: Wikipedia)

I've been following the Flickering Myth website for a while now, and yesterday they had an item about Hercules:  The Legend Begins (not to be confused with Hercules:  The Legendary Journeys, the '90s tv show with Kevin Sorbo), which is coming out next spring.  The trailer that was just released for the movie bears out almost everything I've been reading in my sources.  It's become obvious to me that this genre is alive and well, and it looks like my research paper (which I need to begin drafting next weekend at the latest) is going to use sword and sandals as a basis for arguing that Percy Jackson and the Olympians: The Lightning Thief  represents either a subgenre of it or a "sibling" genre to it, which I am going to call neo-mythology.  
Enhanced by Zemanta

And Then There's the Gladiator Genre

Gladiator fights at "Brot und Spiele"...
Gladiator fights at "Brot und Spiele", Germany's biggest Roman festival (Photo credit: Wikipedia)

Everytime I think I'm starting to get a handle on things, I come across a new source that forces me to rethink everything I thought I had resolved.  This time, it's my mom.  I was talking to her yesterday about how much work this is turning out to be, and she wanted to know all about it.  When I told her about my neo-mythology idea, she said, "you mean like gladiator movies?"  Aargh!  So, I had to ask what that meant, and I'll just summarize her explanation.

Gladiator movies, according to Mom, were all over the place in the '50s and '60s, especially at drive-ins and on late-night television.  The hero was obviously a bodybuilder and was usually dressed in a way that exposed his chest and most of his legs.  He always won his fights through his superior strength, and you could never remember the storyline afterwards.

This sounds to me like what they call pepla, and I'll have more to say about that next time.
Enhanced by Zemanta

Falling Behind in Mythic Fashion

And I Was There
And I Was There (Photo credit: Brave Heart)

Yeah, I'm behind again.  I've turned in my annotated bibliography, and I'm revising my literature review.  For now, I'd like to talk about one of the books I'm using.  It's Rick Altman's Film/Genre, and it's pretty much invaluable for my project, mainly because he covers all of the issues about genre criticism as an approach.  He's apparently an expert on musicals but writes on other genres as well, including sword and sorcery, but he doesn't say anything about sword and sandal, biblical, or pepla.  I've gotten some good material, and the way he talks about specific films has given me a feel for how to use this approach on PJ1.

Altman, Rick.  Film/Genre.  London: BFI, 1999.  Print.




Enhanced by Zemanta

Monday, September 16, 2013

Sword and Sandal, Neo-Mythology, and Percy Jackson, Part 2

עברית: Biblical Sandal
עברית: Biblical Sandal (Photo credit: Wikipedia)
continuing from the last post

I know I can't use Wikipedia as a source in my literature review, but it had a really interesting entry on sword and sandal films, not to mention a whole lot of discussion on their Talk page, where the contributors hash out any problems with the entries.  Based on what I read there, it looks like you really can't call Percy Jackson/ Lightning Thief  a sword-and-sandal movie, mostly because it has high production values and isn't Italian.  That sounds crazy, I know, but if you read the Wikipedia entry, it'll make sense.  So, I've decided to go with Neo-mythology, which was mentioned in the entry as having been coined as a term by an Italian film director, Vittorio Cottafavi, who apparently just didn't like "sword and sandal" (I don't blame him, because it does sound kind of low rent).

All this led me to my proposal for the project.  What I'm proposing is to establish neo-mythology as a subgenre of action/adventure, based on PJI.  I need to find scholarly sources on the sword-and-sandal genre so that I can compare and contrast, and my research question is "Is Percy Jackson and the Olympians:  The Lightning Thief a sword-and-sandal film?"  I'm going to argue that while it fits a lot of the criteria for s-and-s, it's something different.

I turned it in on Thursday, and I've got my fingers crossed.
Enhanced by Zemanta

Sword and Sandal, Neo-Mythology, and Percy Jackson, Part 1

English: The Jules Verne Festival launch in Lo...
English: The Jules Verne Festival launch in
Los Angeles, October 2006.
L-R: Ray Harryhausen, Harrison Ford,
 Malcolm McDowell, Jane Goodall,
James Cameron, George Lucas.
Front: Jules Verne Festival founders
Jean-Christophe Jeauffre and Frédéric
Dieudonné. (Photo credit: Wikipedia)
I've been thinking so much about my project that I completely forgot to post last week, but I should be making up for that in the next few days; in fact, I have to split my entry for today into two posts (it's just too long).  It all started with a talk I had with my dad.  He asked what I was working on, and for a minute, it was like I was back in the third grade -- what he really wanted to know was if I needed help with my homework.  And, just like back in the day, he came through for me.  He reminded me of when he took my sister Rebbie and me to see Jason and the Argonauts at some really weird theater when we were kids.  It was part of some film group's -- I don't know what to call it; not a festival, but like a special program or something.  Anyway, he said that Percy Jackson and the Olympians: The Lightning Thief (from now on, I'm gonna abbreviate that to PJI) made him think of Ray Harryhausen (and I'm not going to get into who he is/was, so if you don't know, follow the link), who is apparently a favorite of his, which is why he took us to see Jason and the Argonauts
What I remembered about the movie was the fight with the skeletons and the scene with the harpies-- and I think the harpies are what made Dad see a connection.  In PJI, there is a scene near the beginning where a fury attacks Percy in a museum, kind of like the harpies in JATA.  So, I asked him what genre he thought JATA was, and he said that he thinks it's called "sword and sandal."  Based on that, I started doing some web searching (mainly to get terms to use for searching later in scholarly databases), and that's where I'll leave it for now.   
Enhanced by Zemanta